Carlos Bunga (Porto, 1976) focused the beginning of his career on painting, before expanding his interests towards three-dimensional experimentations, allowing him to explore the interrelationships between bodies and spaces. A significant part of his work challenges the concept of architecture as a language of power, calling into question deep-seated inertia such as order, solidity and eternity. Bunga also willingly dispenses with the bombast of traditional materials, opting instead for the precariousness of certain structures made solely from packing cardboard and tape.