The exhibition Cine(so)matrix charts the work of Angela Melitopoulos (Munich, 1961) from 1999 to the present day, pivoting around video as installation and as essay, starting from her most recent project Matri-Linear B, currently in progress. Melitopoulos uses video as a tool for sensory intervention on and in the real, in projects which, setting out from specific case studies, address the historical and technological conditions of our cinematic experience of the world. For the artist, the video image does not document the real, but acts instead as a visual memory.